Vyšehrad

Let us lift up our eyes unto the hills, the hills on which stands Prague, and if help do not come at once we may at least hope for inspiration; the beauty of the scene alone assures us. Look out from your terrace of a morning, a cloudless morning of early summer, and gainsay it if you can. The town is extending considerably, growing up the distant slopes on the far side of the river and trickling down into the little valleys, but the general outline of Prague is much the same as it has been for centuries; the eternal hills may be scarred and patched by us who have here no "abiding city," but they remain.

I have already mentioned the hills on which Prague was built, and had decided that they are five in number, not seven as is popularly alleged. I have counted those hills several times over, and make their number five, and quite sufficient too; another two hills would mar the composition. At the risk of repeating myself, I maintain that Prague can well afford to be original and forgo any imitation of other cities by insisting on standing on seven hills; a truly great city should not descend to servile flattery. Paris, for example, undoubtedly a great city, is quite content to stand on two hills, Montmartre and Montparnasse, the latter quite worn flat by the levelling tendencies of modern times.

It is now time that we delved down into the history of Bohemia, and in this we gain inspiration from the hills of Prague, the works of man that crown them and the traditions, legends, shreds of history that cling to them. Of these hills that of Vyšehrad is entitled to hold seniority in the history of Prague. It takes a place somewhat akin to that held by the Capitoline Hill of Rome. It was from here that the city started, though this hill has little left of former grandeur and shows nothing to compare with Rome's monuments to a glorious past. A crumbling block of masonry, the story of which is quite unknown, a round chapel dating from the days when Christianity was young among the Slavs and still found ready martyrs in its cause even among princes, and an enceinte of brick fortifications, stone-faced and in Vauban's best style, battered by Frederick the Great's guns, are all that Vyšehrad has to show by way of relics of a stormy past.

Vyšehrad is about the first striking view you obtain of Prague as the train de luxe brings you round a bend before crossing the railway bridge over the Vltava. Travellers seeing Prague for the first time are apt to mistake this hill of Vyšehrad for the castle. I did so myself; my delight, therefore, at the first sight of Prague's crowning glory, the Hradčany, was all the greater.

Seen against the evening sky, Vyšehrad looks very imposing; it is at its best by winter twilight, when the heavy mass is dully reflected on the surface of the frozen river. Then you may gain some idea of what this rugged promontory stands for in the life-history of a race that has passed through great tribulation. Two Gothic spires point to the skies, rising from a church which, despite its newness, seems more in accord with the spirit of Prague than do the copper domes of Jesuit structures; but then this church is built on foundations so ancient as to defy investigation by the most assiduous chroniclers.

No doubt those spires are right enough in their way, but they are almost painfully modern and unromantic compared to a square bit of crumbling masonry that clings limpet-like to the crags of Vyšehrad overhanging the river at the feet of the twin church towers. For here, according to legend, is the cradle of the city of Prague. In popular parlance this bit of masonry is called Libuša's bath, and hereby hangs a tale to introduce which we must hark back some fourteen centuries.