Rodin and Prague
Having found your terrace, settle down to a serious contemplation
of your surroundings and of the outlook before you; absorb as
much as you can of the atmosphere of the place, let it sink into
you. For this purpose a guide-book is not only useless, it is
a let and a hindrance. After all, what does a guide-book tell
you? Either it recites dry facts in an utterly soulless voice,
or else, if it make any pretence at belles-lettres, as
some of them painfully do, it goes off into sentiment and rapture
before you have decided whether these be suited to the occasion.
Anyway, a guide-book is the expression of some one else's opinion
or experience, and as such is harmful to the soul as likely to
exert undue influence.
From your terrace you take in a more or less comprehensive view
of the city and its surroundings, and also form some conception
of its inner meaning. Then descend from your terrace and wander
at random about the streets, choosing as the more appropriate
time the long twilight of a summer morning which brings the cruder
modern aspect of the place into harmony with the fundamental values.
Then, before she awakens to the stir and activity of everyday
life, old Prague will speak to you of herself and take you into
her confidence; she will tell you some startling stories, for
she has a lurid past, has the city of Prague.
I do not know what was Rodin's method of appreciating Prague,
but can easily imagine him looking out over the city from the
terrace of his choice, looking out over Prague and recalling memories
of Rome as seen from the Pincio.
There are certain obvious points of resemblance. First there are
several hills on which Prague is built; they are said to be seven
in number, as in the case of the Eternal City. Personally I can
only make out five hills, and I have counted them carefully.
It seems to be the right thing in cities of venerable antiquity
to claim seven hills; to me this seems a mixture of superstition
and snobbery. Prague can well afford to be original and rest content
with standing on five hills. This, by the way, does not include
all the suburbs which have lately been added in order to make
up Greater Prague; the innovation is much too recent, and no "Terrace
in Prague" can embrace a view of all the latest additions
to the urban district.
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